Annette's Transom Window was completed this week and although it took some time to make, the end result proves that the time was WELL spent. Interestingly enough when I drew up the pattern it only had two borders on it. Annette loved the three tiered beveled border that I surrounded my Parrot Window with and she wanted to know if she could do the same on her window. Changing it would add less than 3/4 of an inch to the overall size and there was more than enough room in the opening that this will reside in to accommodate that added size. Note Annette's use of white iridized glass behind the black central M. The black is an absence of color while the subtle shifting colors of the iridized background help to offset the negative space. Pure excellence all around!
Kerry has got all of the glass cut out for his Circular Magnolia Window and is ready to begin grinding. The big question on circular windows is: Where do I begin grinding since there are no corners to place a square against? The answer is simple: Anywhere you want. You can start from the center or you can start from any outside piece. It really doesn't matter-- the only thing that matters is that you follow the outside circular curve perfectly.
Now here's something that you don't see every day-- it's the third and final Beach Scene with the crab tacked together but resting (floating?) on top of the water. You can see the opening in the sand below it where it will eventually reside. It already fits into place which means that the only thing that Linda has left to do for this is to wrap a few more palm fronds, tack this together, and then cut out her sky.